CHVRCHES improves in new album

Two years following the release of its successful album, “The Bones of What You Believe,” CHVRCHES returned with another outstanding album. Released on Sept. 25, “Every Open Eye” became the band’s second album.

In January, CHVRCHES began working on “Every Open Eye.” This album adds a more uplifting tone to the band’s sound than its last album had. The bright tone of lead singer Lauren Mayberry couples perfectly with the sound of the synthesizers in each song.

“Clearest Blue,” is said by CHVRCHES to have been the inspiration for the album’s songs and name. However, the song was a disappointment. The beginning fades in, which CHVRCHES does in many of its songs, but the song fails to meet my anticipation for a louder, bolder chorus. Instead, it keeps the same dynamics, instrumentals and tune for the remaining four minutes. It seemed as if the band had forgotten the songwriting fundamental of distinguishing the verses, the chorus and the bridge from one another.

On the other hand, the song “Empty Threat” strongly reflects the general sound CHVRCHES included in this album. This song carries the upbeat, electronic riff the rest of the album has. From the very first note, the song breaks out with Mayberry’s lively voice. As soon as the chorus comes around, the synthesizer resonates beautifully with Mayberry’s singing. Combining the urgent pace, the resentful lyrics and the singer’s slightly bitter tone, this song likely portrays a girl who is still sour from a recent breakup.

“High Enough to Carry You Over” is the only song on the album that features keyboardist Martin Doherty as the lead vocalist, and it greatly exceeded my expectations. It begins with an 80’s-like melody, a unique sound for the band, and reminded me of Empire of the Sun’s “Walking on a Dream.” With a minute and a half left, the bridge includes a softer instrumental section and brings out the desperation in Doherty’s voice as he sings about getting his ex-lover back. Though it is not as upbeat as CHVRCHES’ typical songs, such as its hit, “The Mother We Share,” the song brings a contrast to the album that strengthens my belief in CHVRCHES’ musical talent.

The album was impressive and an improvement from “The Bones of What You Believe.” The only major flaw was the songs were too similar to those on the first album. Though these similarities may be part of CHVRCHES’ style, the songs that did not fit in with its typical sound were the most enjoyable ones, such as “Down Side of Me.” Overall, CHVRCHES truly showcased its rising talent and is on the road for more fame in the future.